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The Snowy Day : ウィキペディア英語版
The Snowy Day

''The Snowy Day'' is a 1962 children's picture book by American author and illustrator Ezra Jack Keats. Keats received the 1963 Caldecott Medal for his illustrations in the book.〔American Library Association: (Caldecott Medal Winners, 1938 - Present ). URL accessed 27 May 2009.〕 It features a boy named Peter exploring his neighborhood after the first snowfall of the season. The inspiration for Peter came from a ''Life'' magazine photo article from 1940, and Keats' desire to have minority children of New York as central characters in his stories.〔(【引用サイトリンク】title=About Ezra )〕 Peter appears in six more books growing from a small boy in ''The Snowy Day'' to pre-adolescence in ''A Letter to Amy''.
==Life and career==

After serving in World War II, Keats returned to New York and started a career in illustration, working first in the comic industry, and then working for such publications as ''Reader’s Digest'', ''The New York Times Book Review'', and ''Collier’s''. In the 1950s Keats started illustrating dust jackets, and when one book cover caught the eye of an editor of youth literature, Keats was soon commissioned to illustrate children’s books.
Keats started solely as an illustrator for the work of other authors. But he soon observed that few children's books showcased an African-American or other minority child as the main character. Published in 1962, ''The Snowy Day'' was the first book Keats both authored and illustrated, and was a milestone for featuring the first African-American protagonist in a full-color picture book. “None of the manuscripts I’d been illustrating featured any black kids—except for token blacks in the background. My book would have him there simply because he should have been there all along,” Keats wrote in an unpublished autobiography (portions of which have been printed in various publications since the author’s death).〔Keats, Ezra Jack. Unpublished autobiography, Ezra Jack Keats Papers, de Grummond Children’s Literature Collection, McCain Library and Archives, The University of Southern Mississippi, 71/22, pp. 70-71. Quote printed in Brian Alderson, Ezra Jack Keats: Artist and Picture-Book Maker (Gretna, La: Pelican Publishing Company, 1994), p. 51〕
Peter in ''The Snowy Day'' was inspired by a strip of photographs of an African-American boy that Keats had clipped from a May 1940 issue of ''Life'' magazine. “Years ago, long before I ever thought of doing children’s books, while looking through a magazine I came across four candid photos of a little boy about three or four years old,” said Keats in his acceptance speech for the Caldecott Medal, the most prestigious award in children’s literature, which he won for The Snowy Day in 1963. “His expressive face, his body attitudes, the very way he wore his clothes, totally captivated me . . . . As the years went by, these pictures would find their way back to my walls, offering me fresh pleasure at each encounter. In more recent years, while illustrating children’s books, the desire to do my own story about this little boy began to germinate. Up he went again—this time above my drawing table. He was my model and inspiration.”〔Keats, Ezra Jack. “Caldecott Award Acceptance.” Speech given at the American Library Association meeting, Chicago, July 15, 1963. Printed in The Horn Book Magazine 39, no. 4 (August 1963), p. 361.〕
The source for the story-line, Keats noted, came from his memories of snowy days in his Brooklyn childhood. Above all, Keats wanted to capture the wonderment of a child’s first snowfall, a feeling universal to all children, regardless of race. “I wanted to convey the joy of being a little boy alive on a certain kind of day—of being for that moment. The air is cold, you touch the snow, aware of the things to which all children are so open.”〔Keats, Ezra Jack. Autobiographical excerpts in Lee Bennett Hopkins, ed., Pauses: Autobiographical Reflections of 101 Creators of Children’s Books (New York: HarperCollins, 1995) pp. 132-33.〕
''The Snowy Day'' was immediately welcomed by educators and critics and embraced by the public. The book is noteworthy not only as a benchmark in racial representation in literature, but also for the simplicity and elegance of the writing, which many be attributed to Keats’s love of haiku poetry. The beautiful illustrations also marked the book as a great accomplishment of art in a children’s book. Keats, who was a painter first and foremost, chose to illustrate the book with collage, a medium he had never used before. “The idea of using collage came to me at the same time I was thinking about the story. I used a bit of paper here and there and immediately saw new colors, patterns, and relationships forming.”〔Keats, Ezra Jack. Autobiographical excerpts in Lee Bennett Hopkins, ed., Pauses: Autobiographical Reflections of 101 Creators of Children’s Books (New York: HarperCollins, 1995), p. 133.〕

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